![]() And they did it!Enjoy the epic adventures of TANKARD the BEERBARIANS!“. The challenge for them was to create an epic world for BEERBARIANS, including their beloved tankard mascot. And it is already the third animated video that we made for our favorite band, TANKARD! – see also “Fooled by Your Guts” (2014) and “Don’t Bullshit Us” (2018).The latter video was created from July 2022 to February 2023, with contributions large and small from a total of 49 students. ![]() If you isolate those numbers and add them together, what are you left with? 13, of course.“ The new animated video for Tankard’s “Beerbarians” is already the eleventh successful collaboration between Flori of Reaper Entertainment and RMIT Melbourne animation students of the Bachelor of Design (Animation & Interactive Media) course. But the spookiest detail is still yet to come. Arnold’s throat rattled twice, his heart gave a powerful beat, and that was the end”. ![]() When that day eventually came, he couldn’t move for anxiety: “About a quarter to twelve, I looked at the clock and said to myself: another quarter of an hour and then the worst is over,” his wife Gertrude recalled. Towards the end of his life, he predicted that his death would occur on Friday, the 13th on July 1951. The strangeness of Schoenberg’s obsession is nothing compared to the strangeness of his death. The composer did everything in his power to avoid the dreaded digit, going so far as to deliberately misspell the name of his opera Moses und Aron, as the correct spelling would have resulted in the title being 13 letters long. Given his contribution to music, it’s only fitting that he should have had triskaidekaphobia: the irrational fear of the number 13. Schoenberg developed the twelve-tone technique, an era-defining method of manipulating an ordered series of all 12 notes in the chromatic scale to create dissonant yet highly logical musical works. If you want an example of a musician who successfully predicted their death to the day, look no further than Austrian composer and theorist Arnold Schoenberg. More often than not, such claims are pretty tenuous. Marc Bolan, Bob Marley, John Lennon: countless famous musicians are believed to have predicted their deaths. Some claimed that the screams of these unfortunate souls could be heard from his instrument during live performances. A notorious rake, he was accused of butchering the women who fell under his spell, using their intestines as violin strings and then imprisoning their souls in the body of his Stradivarius. The violinist’s fame made him a heavy drinker, gambler and serial womaniser. Paganini was also accused of some pretty nefarious pastimes. His talent, the general public felt, was beyond the earthly realm, and rumours quickly spread that his mother had sold his soul to the Devil. Italy had already produced many virtuosos, but none like Paganini. In the 19th century, they called it the Devil’s work. Today, we might call that Marfan syndrome. He is believed to have been able to play 12 notes per second, something we now think he was able to achieve due to his unusual finger length, which allowed him to play three octaves in one hand span. Cmo copiar un vdeo de un canal a otro de Youtube Skolti 1.64K subscribers Subscribe 1.8K 118K views 8 years ago Redes: Youtube Haz clic para leer la descripcin del vdeo Show more. Then there were the techniques and articulations he pioneered: showy bow bounces (spiccato), left-hand pizzicato and harmonics. As one of the first violinists to perform live without sheet music, he had to memorise incredibly complex pieces such as his ’24 Caprices for Solo Violin’ by heart. In The Virtuoso Liszt, Dana Gooley quotes an 1843 clipping from a Munich newspaper which reads: “Liszt fever, a contagion that breaks out in every city our artist visits, and which neither age nor wisdom can protect, seems to appear here only sporadically, and asphyxiating cases such as appeared so often in northern capitals need not be feared by our residents, with their strong constitutions.” Blimey. In fact, the Lisztomania phenomenon was so intense in its effects that some considered it a genuine medical condition. Liszt was a very dynamic personality, seducing countless women with his charisma and talent. It’s believed that some women even salvaged his discarded cigar butts and placed them in their cleavage. As well as countless honours and awards, Liszt’s performances won him enormous fame, with polite ladies literally throwing themselves at the composer’s feet, fighting over broken piano strings (his performance style really was that frenzied) and cutting off locks of his hair. In 1839, the young virtuoso pianist and composer embarked on his first concert tour of Europe. But how many of you have heard of “ Lisztomonia” – the music craze that swept across mid-19th century Europe in response to charismatic Hungarian pianist Franz Liszt? You might even have heard of its ’50s forerunner – Presleymania. You’ll undoubtedly have heard of Beatlemania. Five times classical composers made rockstars look tame: Lisztomania hits Europe
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