The government officials had asked Parajanov to make a Russian version of the film, to which he stated that he has “long resisted translating the Ukrainian-language film dialogues into the Russian language" because he "considered this text to be an inalienable part of the artistic fabric of the film”. The film was one of the rare Ukrainian-language feature film productions at the Ukrainian Dovzhenko Film Studios, which typically produced only Russian-language film productions, some of which were later dubbed into the Ukrainian language for theatrical distribution in UkrSSR. Ukrainian filmmaker Oleh Chornyi, however, speculated in 2019 that the film's budget was in line with typical film budgets of the time, ranging from 300 to 500 thousand rubles". The partial records gathered by Ukrainian film historians reveal that the cabinet ministers of UkrSSR in May 1966 issued a strongly worded reproachment to Parajanov for "exceeding the budget of Shadows of Forgotten Ancestors by 97 thousand rubles". The exact budget for Shadows of Forgotten Ancestors is currently not publicly known, and it is only available from the film's records at Ukrainian State Archives. The community gives him a traditional Hutsul burial while children watch through cross braced windows. As reality merges into dream, the colourless shade of Marichka reaches out across a great space and touches Ivan's outstretched hand. ![]() Ivan stumbles into the nearby woods and perceives Marichka's spirit to be with him, reflected in the water and gliding amongst the trees. Roused into an uncharacteristic fury, Ivan snatches up his axe, only to be struck down by the molfar. Estranged from her emotionally distant husband, Palahna becomes involved with a local molfar Yurko, while Ivan begins to experience hallucinations.Īt a tavern, Ivan sees the molfar embrace Palahna and strike one of his friends. The marriage quickly turns sour, however, as Ivan remains obsessed with the memory of Marichka. Ivan and Palahna get married in a traditional Hutsul wedding in which they are blindfolded and yoked together. ![]() He continues to work, enduring a period of joyless toil, until he meets another woman, Palahna, while shoeing a horse. Ivan returns and falls into despair after seeing Marichka's body. While he is gone, Marichka accidentally slips into a river and drowns while trying to rescue a lost lamb. In preparation for their marriage, Ivan leaves the village to work and earn money for a household. Though their families share a bitter enmity, Ivan and Marichka have known each other since childhood. In a small Hutsul village in the Carpathian mountains of Ukraine, a young man, Ivan, falls in love with the daughter of the man who killed his father. ![]() Shadows of Forgotten Ancestors is considered to be the most internationally heralded Ukrainian film in history, and a classic of Ukrainian magical realist cinema. The festival program from the 1966 edition of the New York Film Festival described the film as an "avant-garde, extravagant, sumptuous saga" and a "haunting work" that combined folk-songs and atonal music with fantastic camera work. The film was Parajanov's first major work and earned him international acclaim for its rich use of costume and colour. Shadows of Forgotten Ancestors, alternatively translated into English as Shadows of Our Forgotten Ancestors or Shadows of Our Ancestors ( Ukrainian: Тіні забутих предків, romanized: Tini zabutykh predkiv), also known in English under the alternative title Wild Horses of Fire and under the mistaken title of In the Shadow of the Past, is a 1965 Ukrainian film by the filmmaker Sergei Parajanov based on the novel Shadows of Forgotten Ancestors by Ukrainian writer Mykhailo Kotsiubynsky that tells a "Romeo and Juliet tale" of young Ukrainian Hutsul lovers trapped on opposite sides of a Carpathian family blood feud.
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